﻿<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel><title>RaineWalker's Xanga</title><link>http://rainewalker.xanga.com/</link><description>Latest Xanga weblog from RaineWalker</description><language>en-us</language><ttl>60</ttl><image><title>The Weblog Community</title><url>http://s.xanga.com/images/xangalogobutton.gif</url><link>http://rainewalker.xanga.com/</link></image><item><title>To the Author's Portrait</title><link>http://rainewalker.xanga.com/659997575/to-the-authors-portrait/</link><guid>http://rainewalker.xanga.com/659997575/to-the-authors-portrait/</guid><pubDate>Wed, 04 Jun 2008 01:28:36 GMT</pubDate><description>&lt;pre style="font-family: Trebuchet MS;"&gt;&lt;font size="3"&gt;...&lt;br&gt;&lt;span style="font-family: Trebuchet MS;"&gt;To breathe in rural peace, &lt;/span&gt;&lt;br style="font-family: Trebuchet MS;"&gt;&lt;span style="font-family: Trebuchet MS;"&gt;to hear the stream,&lt;/span&gt;&lt;/font&gt;&lt;br&gt;A&lt;font size="3"&gt;nd think and feel as once the Poet felt.&lt;br&gt;Whate'er thy fate, &lt;br&gt;those features have not grown Unrecognised &lt;br&gt;through many a household tear                  &lt;br&gt;More prompt, more glad, &lt;br&gt;to fall than drops of dew&lt;br&gt;By morning shed around a flower half-blown;&lt;br&gt;Tears of delight, that testified &lt;br&gt;how true To life thou art, &lt;br&gt;and, in thy truth, &lt;br&gt;how dear!&lt;br&gt;                                                              &lt;br&gt;-William Wordsworth, 1830.&lt;/font&gt;&lt;/pre&gt;</description><comments>http://rainewalker.xanga.com/659997575/to-the-authors-portrait/#firstcomment</comments></item><item><title>Sunrise</title><link>http://rainewalker.xanga.com/573694487/sunrise/</link><guid>http://rainewalker.xanga.com/573694487/sunrise/</guid><pubDate>Thu, 01 Mar 2007 00:11:50 GMT</pubDate><description>Until this morning I hadn't see the sun in over a week.&lt;br&gt;&lt;br&gt;Here's proof that it rose over the bluffs this morning ...&lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;br&gt;&lt;div style="text-align: center;"&gt;&lt;a target="_blank" href="http://photo.xanga.com/rainewalker/e5170109494675/photo.html"&gt;&lt;img title="sunrise0226" style="border-style: none; border-width: 0px;" src="http://xe5.xanga.com/170d617309034109494675/z77799660.jpg" width="400"&gt;&lt;/a&gt;&lt;br&gt;&lt;font size="1"&gt;(click to see larger image)&lt;/font&gt;&lt;br&gt;&lt;/div&gt; </description><comments>http://rainewalker.xanga.com/573694487/sunrise/#firstcomment</comments></item><item><title>Thunder Snow</title><link>http://rainewalker.xanga.com/572737766/thunder-snow/</link><guid>http://rainewalker.xanga.com/572737766/thunder-snow/</guid><pubDate>Sat, 24 Feb 2007 22:31:26 GMT</pubDate><description>&lt;div style="text-align: center;"&gt;The winds picked up right around sunset last night.&lt;br&gt;&lt;br&gt;About 10pm it began to thunder. &lt;br&gt;&lt;br&gt;LOUD thunder.&amp;nbsp; &lt;br&gt;&lt;br&gt;With lightning. &lt;br&gt;&lt;br&gt;About 10:45 I was drawn away from my work &lt;br&gt;&lt;br&gt;to the back door &lt;br&gt;&lt;br&gt;by the sound of still more &lt;br&gt;&lt;br&gt;LOUD rumbling of thunder. &lt;br&gt;&lt;br&gt;When I opened the door to the back deck, &lt;br&gt;&lt;br&gt;This is what I saw:&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;a target="_blank" href="http://photo.xanga.com/rainewalker/c23c6108783688/photo.html"&gt;&lt;img title="backdoor23febsm" style="border-style: none; border-width: 0px;" src="http://xc2.xanga.com/3c6d4ae325235108783688/z77222511.jpg" width="400"&gt;&lt;/a&gt;&lt;/div&gt; </description><comments>http://rainewalker.xanga.com/572737766/thunder-snow/#firstcomment</comments></item><item><title>Propagate or Eradicate? mutant vs. wildtype</title><link>http://rainewalker.xanga.com/572516918/propagate-or-eradicate-mutant-vs-wildtype/</link><guid>http://rainewalker.xanga.com/572516918/propagate-or-eradicate-mutant-vs-wildtype/</guid><pubDate>Fri, 23 Feb 2007 22:41:03 GMT</pubDate><description>&lt;div class="entry"&gt;
&lt;p style="color: rgb(250, 218, 161); font-family: Trebuchet MS;"&gt;&lt;font size="3"&gt;&lt;strong&gt;&lt;span class="hw"&gt;wild type&lt;/span&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;div class="pseg"&gt;&lt;font style="font-family: Trebuchet MS; color: rgb(250, 218, 161);" size="3"&gt;&lt;em&gt;n.&lt;/em&gt;&lt;/font&gt;
&lt;div class="ds-single"&gt;&lt;font style="font-family: Trebuchet MS; color: rgb(250, 218, 161);" size="3"&gt;The typical form of an organism, strain, gene,
or characteristic as it occurs in nature, as distinguished from mutant
forms that may result from selective breeding.&lt;/font&gt;&lt;br&gt;&lt;br&gt;I went to leave a comment when &lt;a href="http://xanga.com/Leonidas" target="_new"&gt;Leonidas&lt;/a&gt; wrote about &lt;a href="http://www.xanga.com/item.aspx?user=Leonidas&amp;amp;tab=weblogs&amp;amp;uid=571179499" target="_new"&gt;an interesting dispute&lt;/a&gt; between Monsanto and a farmer over an herbicide resistant plant seed.&lt;br&gt;&lt;br&gt;But writing the comment got me to thinking and reminded me of a topic of discussion in a biotechnology lecture years ago with &lt;a href="http://www.uwosh.edu/departments/biology/faculty.html" target="_new"&gt;Kallas&lt;/a&gt;.&lt;br&gt;&lt;br&gt;Talk about a case of not seeing the forest for the trees...&lt;br&gt;&lt;br&gt;&lt;div style="margin-left: 40px;"&gt;&lt;span style="font-style: italic; font-weight: bold; color: rgb(250, 218, 161); font-family: Trebuchet MS;"&gt;Shouldn't the inventor (Monsanto) who holds the patent for the mutant form of the organism be responsible for the consequences of having of the engineered strain growing "in the wild"? &lt;/span&gt;&lt;br style="color: rgb(250, 218, 161); font-family: Trebuchet MS;"&gt;&lt;span style="font-style: italic; font-weight: bold; color: rgb(250, 218, 161); font-family: Trebuchet MS;"&gt;&lt;/span&gt;&lt;br style="color: rgb(250, 218, 161); font-family: Trebuchet MS;"&gt;&lt;span style="font-style: italic; font-weight: bold; color: rgb(250, 218, 161); font-family: Trebuchet MS;"&gt;If the patent holder accounts for control of distribution of the seed, should they also be held accountable for other propagation methods, and if so, eradication of unwanted, misplaced mutated forms, as well?&lt;/span&gt;&lt;br&gt;&lt;/div&gt;&lt;br&gt;Unlike humans, plants have multiple sets of chromosomes and can
reproduce by more than one method. Most higher plants can be propagated
in at least 3 ways:&amp;nbsp; pollen, seeds, and roots/rhizomes. In the case of plants, the reproductive consequences of planting genetically-modified organisms (plants with bacterial transformations, in this case) does not begin and end with the seed. &lt;br&gt;&lt;br&gt;Here's the forest:&amp;nbsp; &lt;span style="font-style: italic;"&gt;all reproductive methods of the plant that carry the mutant genome&lt;/span&gt; (likely &lt;a href="http://en.wikipedia.org/wiki/Plasmid" target="_new"&gt;plasmid&lt;/a&gt;) &lt;span style="font-style: italic;"&gt;have not been considered.&lt;br&gt;&amp;nbsp;&lt;/span&gt;&lt;a target="_blank" href="http://photo.xanga.com/rainewalker/dca88108586987/photo.html"&gt;&lt;img title="I10-71-plasmid" style="border-width: 1px; margin: 5px 0px 15px 10px; float: right;" src="http://xdc.xanga.com/a88d655725537108586987/z77063585.jpg" width="400"&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;Monsanto is more than willing to accept financial responsibility for the control of one method of propagation: &lt;span style="font-style: italic;"&gt;the seed. &lt;/span&gt;&lt;br&gt;&lt;br&gt;With this in mind, it follows they should be held accountable, good or bad, for all other methods of propagation of the mutant plant form. &lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;br&gt;&lt;br&gt;Since the pollen carries the potential for reproductive propagation,
Monsanto bears responsibility for "controlling" the pollen of the
patented strain to the area of the environment where they have intentionally planted the mutant by
seed. If the mutant plant develops an invasive root system and migrates outside of the intended environment, Monsanto should be responsible for the eradication. Consider that plenty of states already have laws concerning "invasive" plant species. &lt;br&gt;&lt;br&gt;The farmer should sue Monsanto. His field of&amp;nbsp; "vintage" seed stock has been contaminated by the pollen of Monsanto's engineered Round-up-resistant-mutant plant. What's worse, the mutant strain of plant cannot be eradicated by application of conventional herbicides. &lt;br&gt;&lt;br&gt;The mutant plant might be considered an "invasive" species when it unintentionally shows up in an adjacent environment. &lt;br&gt;&lt;br&gt;&lt;a href="http://dnr.wi.gov/invasives/" target="_new"&gt;Wisconsin Department of Natural Resources&lt;/a&gt;&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt; (DNR) says this about invasive species: &lt;br&gt;&lt;br&gt;&lt;span style="font-style: italic; color: rgb(250, 218, 161); font-family: Trebuchet MS;"&gt;"Invasive species can alter ecological relationships among native
species and can affect ecosystem function, economic value of
ecosystems, and human health. A species is regarded as invasive if it
has been introduced by human action to a location, area, or region
where it did not previously occur naturally (i.e., is not native),
becomes capable of establishing a breeding population in the new
location without further intervention by humans, and spreads widely
throughout the new location."&lt;/span&gt;&lt;br&gt;&lt;br&gt;Monsanto should have been responsible for eradication of the invasive plants from the neighboring fields.&lt;br&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt; </description><comments>http://rainewalker.xanga.com/572516918/propagate-or-eradicate-mutant-vs-wildtype/#firstcomment</comments></item><item><title>Rethink...</title><link>http://rainewalker.xanga.com/570953795/rethink/</link><guid>http://rainewalker.xanga.com/570953795/rethink/</guid><pubDate>Sat, 17 Feb 2007 02:14:31 GMT</pubDate><description>&lt;center&gt;This is so cool...&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;div style="background-image: url(http://s.xanga.com/images/videoplaceholder.gif); background-repeat: no-repeat; width: 480px; height: 380px;"&gt;&lt;embed type="application/x-shockwave-flash" src="http://video.xanga.com/xangaembedplayer2.swf?i=245336&amp;amp;m=4f12f" style="width: 480px; height: 380px;"&gt;&lt;/div&gt;&lt;/center&gt; </description><comments>http://rainewalker.xanga.com/570953795/rethink/#firstcomment</comments></item><item><title>Winter Air and Hair</title><link>http://rainewalker.xanga.com/570889481/winter-air-and-hair/</link><guid>http://rainewalker.xanga.com/570889481/winter-air-and-hair/</guid><pubDate>Fri, 16 Feb 2007 17:12:53 GMT</pubDate><description>The temperatures finally dropped down to winter normal here after the year ended with relatively warm days. In these parts, 40's and 50's through December is somewhat odd.&lt;br&gt;&lt;br&gt;A few days of below zero and the furnace works hard. That means dry air. I filled clean milk jug 3/4 full of water and set it next to the heat vent in my room, but I'm not sure it does much good.&lt;br&gt;&lt;br&gt;I have a small crack on the inside of my little toe on my left foot. I healed it with raw vitamin E, but if I don't keep on it...man! Now my head itches, too...dry scalp.&lt;br&gt;&lt;br&gt;Avocados were 68 cents each at the store last night so here's my remedy for my dry head (amounts are approximate) :&lt;br&gt;&lt;br&gt;1 avocado, peeled and pitted&lt;br&gt;1/2 tsp. real lemon juice&lt;br&gt;2T. 100% Aloe Vera gel&lt;br&gt;2T. Real Mayo&lt;br&gt;12 drops pure Ylang/Ylang oil&lt;br&gt;12 drops pure Rosemary oil&lt;br&gt;&lt;br&gt;Mix to a smooth paste. Warm in microwave for 60 seconds. Wet hair with warm water. Massage the paste into the scalp and hair. Cover head with plastic wrap for however long you desire ( I did about half an hour). Wash hair as usual.&lt;br&gt;&lt;br&gt;I'll let you know if it makes a difference.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;</description><comments>http://rainewalker.xanga.com/570889481/winter-air-and-hair/#firstcomment</comments></item><item><title>Humumentism</title><link>http://rainewalker.xanga.com/565604144/humumentism/</link><guid>http://rainewalker.xanga.com/565604144/humumentism/</guid><pubDate>Thu, 25 Jan 2007 16:47:39 GMT</pubDate><description>&lt;div style="text-align: center;"&gt;I love this art-poetry form. &lt;br&gt;It makes me want to visit used books stores...&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;a href="http://www.humument.com/gallery/recent/recent-13.html" target="_new"&gt;&lt;img src="http://farm1.static.flickr.com/179/369101165_8bbe7184fb_o.jpg" alt="hum-200503-13-500" height="738" width="500"&gt;&lt;/a&gt;&lt;/div&gt;</description><comments>http://rainewalker.xanga.com/565604144/humumentism/#firstcomment</comments></item><item><title>Something to read...</title><link>http://rainewalker.xanga.com/551836600/something-to-read/</link><guid>http://rainewalker.xanga.com/551836600/something-to-read/</guid><pubDate>Thu, 30 Nov 2006 10:37:12 GMT</pubDate><description>&lt;h1&gt;
&lt;nyt_headline version="1.0" type=" "&gt;
The NYT 10 Best Books of 2006
&lt;/nyt_headline&gt;
&lt;/h1&gt;



&lt;nyt_byline version="1.0" type=" "&gt;
&lt;/nyt_byline&gt;




&lt;!--NYT_INLINE_IMAGE_POSITION1 --&gt;


			

&lt;nyt_text&gt;

&lt;/nyt_text&gt;&lt;p&gt;&lt;span class="bold"&gt;FICTION&lt;/span&gt;&lt;/p&gt; 
&lt;a name="secondParagraph" target="_new"&gt;&lt;/a&gt;
 &lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://www.nytimes.com/2006/04/30/books/review/30kirn.html" target="_new"&gt;ABSURDISTAN&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
By Gary Shteyngart. Random House, $24.95.&lt;br&gt;
Shteyngart's scruffy, exuberant second novel, equal parts Gogol and
Borat, is immodest on every level - it's long, crude, manic and has
cheap vodka on its breath. It also happens to be smart, funny and, in
the end, extraordinarily rich and moving. "Absurdistan" introduces
Misha Vainberg, the rap-music-obsessed, grossly overweight son of the
1,238th richest man in Russia. After attending college in the United
States, he is now stuck in St. Petersburg, scrambling for an American
visa that may never arrive. Caught between worlds, and mired in his
own prejudices and thwarted desires, Vainberg just may be an antihero
for our times.
&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://www.nytimes.com/2006/05/21/books/review/21wagner.html" target="_new"&gt;THE COLLECTED STORIES OF AMY HEMPEL&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
Scribner, $27.50.&lt;br&gt;
A quietly powerful presence in American fiction during the past two
decades, Hempel has demonstrated unusual discipline in assembling her
urbane, pointillistic and wickedly funny short stories. Since the
publication of her first collection, "Reasons to Live," in 1985, only
three more slim volumes have appeared - a total of some 15,000
sentences, and nearly every one of them has a crisp, distinctive
bite. These collected stories show the true scale of Hempel's
achievement. Her compact fictions, populated by smart, neurotic,
somewhat damaged narrators, speak grandly to the longings and
insecurities in all of us, and in a voice that is bracingly direct
and sneakily profound.
&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://www.nytimes.com/2006/08/27/books/review/ORourke.html" target="_new"&gt;THE EMPEROR'S CHILDREN&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
By Claire Messud. Alfred A. Knopf, $25.&lt;br&gt;
This superbly intelligent, keenly observed comedy of manners, set
amid the glitter of cultural Manhattan in 2001, also looks
unsparingly, though sympathetically, at a privileged class
unwittingly poised, in its insularity, for the catastrophe of 9/11.
Messud gracefully intertwines the stories of three friends,
attractive, entitled 30-ish Brown graduates "torn between Big Ideas
and a party" but falling behind in the contest for public rewards and
losing the struggle for personal contentment. The vibrant supporting
cast includes a deliciously drawn literary seducer ("without
question, a great man") and two ambitious interlopers, teeming with
malign energy, whose arrival on the scene propels the action forward.
&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://www.nytimes.com/2006/10/29/books/review/Scott.t.html" target="_new"&gt;THE LAY OF THE LAND&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
By Richard Ford. Alfred A. Knopf, $26.95.&lt;br&gt;
The third installment, following "The Sportswriter" (1986) and
"Independence Day" (1995), in the serial epic of Frank Bascombe -
flawed husband, fuddled dad, writer turned real estate agent and
voluble first-person narrator. Once again the action revolves around
a holiday. This time it's Thanksgiving 2000: the Florida recount
grinds toward its predictable outcome, and Bascombe, now 55, battles
prostate cancer and copes with a strange turn in his second marriage.
The story, which unfolds over three days, is filled with incidents,
some of them violent, but as ever the drama is rooted in the interior
world of its authentically life-size hero, as he logs long hours on
the highways and back roads of New Jersey, taking expansive stock of
middle-age defeats and registering the erosions of a brilliantly
evoked landscape of suburbs, strip malls and ocean towns.
&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://www.nytimes.com/2006/08/13/books/review/13cover.html" target="_new"&gt;SPECIAL TOPICS IN CALAMITY PHYSICS&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
By Marisha Pessl. Viking, $25.95.&lt;br&gt;
The antic ghost of Nabokov hovers over this buoyantly literate first
novel, a murder mystery narrated by a teenager enamored of her own
precocity but also in thrall to her father, an enigmatic itinerant
professor, and to the charismatic female teacher whose death is
announced on the first page. Each of the 36 chapters is titled for a
classic (by authors ranging from Shakespeare to Carlo Emilio Gadda),
and the plot snakes ingeniously toward a revelation capped by a
clever "final exam." All this is beguiling, but the most solid
pleasures of this book originate in the freshness of Pessl's voice
and in the purity of her storytelling gift.
&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;NONFICTION&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://www.nytimes.com/2006/03/12/books/review/12harrison.html" target="_new"&gt;FALLING THROUGH THE EARTH&lt;br&gt;
A Memoir.&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
By Danielle Trussoni. Henry Holt &amp;amp; Company, $23.&lt;br&gt;
This intense, at times searing memoir revisits the author's
rough-and-tumble Wisconsin girlhood, spent on the wrong side of the
tracks in the company of her father, a Vietnam vet who began his tour
as "a cocksure country boy" but returned "wild and haunted," unfit
for family life and driven to extremes of philandering, alcoholism
and violence. Trussoni mixes these memories with spellbinding
versions of the war stories her father reluctantly dredged up and
with reflections on her own journey to Vietnam, undertaken in an
attempt to recapture, and come to terms with, her father's
experiences as a "tunnel rat" who volunteered for the harrowing duty
of scouring underground labyrinths in search of an elusive and deadly
enemy.
&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://www.nytimes.com/2006/08/06/books/review/06filkins.html" target="_new"&gt;THE LOOMING TOWER&lt;br&gt;
Al-Qaeda and the Road to 9/11.&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
By Lawrence Wright. Alfred A. Knopf, $27.95.&lt;br&gt;
In the fullest account yet of the events that led to the fateful day,
Wright unmasks the secret world of Osama bin Laden and his
collaborators and also chronicles the efforts of a handful of
American intelligence officers alert to the approaching danger but
frustrated, time and again, in their efforts to stop it. Wright, a
staff writer for The New Yorker, builds his heart-stopping narrative
through the patient and meticulous accumulation of details and
through vivid portraits of Al Qaeda's leaders. Most memorably, he
tells the story of John O'Neill, the tormented F.B.I. agent who
worked frantically to prevent the impending terrorist attack, only to
die in the World Trade Center.
&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://www.nytimes.com/2006/06/04/books/review/04shorto.html" target="_new"&gt;MAYFLOWER&lt;br&gt;
A Story of Courage, Community, and War.&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
By Nathaniel Philbrick. Viking, $29.95.&lt;br&gt;
This absorbing history of the Plymouth Colony is a model of
revisionism. Philbrick impressively recreates the pilgrims' dismal
1620 voyage, bringing to life passengers and crew, and then relates
the events of the settlement and its first contacts with the native
inhabitants of Massachusetts. Most striking are the parallels he
subtly draws with the present, particularly in his account of how
Plymouth's leaders, including Miles Standish, rejected diplomatic
overtures toward the Indians, successful though they'd been, and
instead pursued a "dehumanizing" policy of violent aggression that
led to the needless bloodshed of King Philip's War.
&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://www.nytimes.com/2006/04/23/books/review/23kamp.html" target="_new"&gt;THE OMNIVORE'S DILEMMA&lt;br&gt;
A Natural History of Four Meals.&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
By Michael Pollan. The Penguin Press, $26.95.&lt;br&gt;
"When you can eat just about anything nature has to offer, deciding
what you should eat will inevitably stir anxiety," Pollan writes in
this supple and probing book. He gracefully navigates within these
anxieties as he traces the origins of four meals - from a fast-food
dinner to a "hunter-gatherer" feast - and makes us see, with
remarkable clarity, exactly how what we eat affects both our bodies
and the planet. Pollan is the perfect tour guide: his prose is
incisive and alive, and pointed without being tendentious. In an
uncommonly good year for American food writing, this is a book that
stands out.
&lt;/p&gt;&lt;p&gt;&lt;span class="bold"&gt;&lt;a href="http://travel2.nytimes.com/2006/06/11/books/review/11cover_bissel.html" target="_new"&gt;THE PLACES IN BETWEEN&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
By Rory Stewart. Harvest/Harcourt, Paper, $14.&lt;br&gt;
"You are the first tourist in Afghanistan," Stewart, a young
Scotsman, was warned by an Afghan official before commencing the
journey recounted in this splendid book. "It is mid-winter - there
are three meters of snow on the high passes, there are wolves, and
this is a war. You will die, I can guarantee." Stewart, thankfully,
did not die, and his report on his adventures - walking across
Afghanistan in January of 2002, shortly after the fall of the Taliban
- belongs with the masterpieces of the travel genre. Stewart may be
foolhardy, but on the page he is a terrific companion: smart,
compassionate and human. His book cracks open a fascinating, blasted
world miles away from the newspaper headlines.&lt;/p&gt;</description><comments>http://rainewalker.xanga.com/551836600/something-to-read/#firstcomment</comments></item><item><title>News Not Reported</title><link>http://rainewalker.xanga.com/533114623/news-not-reported/</link><guid>http://rainewalker.xanga.com/533114623/news-not-reported/</guid><pubDate>Wed, 27 Sep 2006 22:29:23 GMT</pubDate><description>&lt;font size="2"&gt;&lt;big&gt;This statue currently stands outside the Iraqi palace, now home to the 4th Infantry division. &lt;br&gt;&lt;br&gt;&lt;/big&gt;&lt;/font&gt; &lt;font size="2"&gt;&lt;a target="_blank" href="http://photo.xanga.com/rainewalker/9419980015681/photo.html"&gt;&lt;img title="iraqistatue" style="border-style: none; border-width: 0px;" src="http://x94.xanga.com/199a663a5633080015681/z54442995.jpg"&gt;&lt;/a&gt;&lt;big&gt;  &lt;br&gt; &lt;br&gt;
It will eventually be shipped home and put in the memorial museum in Fort Hood, TX . The statue was created by an Iraqi artist named Kalat, who for years was forced by Saddam Hussein to make the many hundreds of
bronze busts of Saddam that dotted Baghdad. &lt;/big&gt;&lt;/font&gt;&lt;br&gt;&lt;font size="2"&gt;&lt;big&gt;&lt;br&gt;
Kalat was so grateful for the Americans liberation of his country; he melted 3 of the heads of the fallen Saddam &lt;br&gt;
and made the statue as a memorial to the American soldiers and their fallen warriors. Kalat worked on this memorial night and day for several months. To the left of the kneeling soldier is a small Iraqi girl giving the
soldier comfort as he mourns the loss of his comrade in arms. &lt;br&gt;&lt;br&gt;
Do you know why we don't hear about this in the news? Because it is heart warming and praise worthy. &lt;br&gt;
The media avoids it because it does not have the shock effect . But we can do something about it. &lt;br&gt;
We can pass this along to as many people as we can in honor of all our brave military who are making a difference. &lt;br&gt;
And please pass this on!&lt;/big&gt;&lt;/font&gt;&amp;nbsp; </description><comments>http://rainewalker.xanga.com/533114623/news-not-reported/#firstcomment</comments></item><item><title>Saturday, October 22, 2005</title><link>http://rainewalker.xanga.com/372116291/item/</link><guid>http://rainewalker.xanga.com/372116291/item/</guid><pubDate>Sat, 22 Oct 2005 03:05:18 GMT</pubDate><description>&lt;div style="text-align: center;"&gt;&lt;br&gt;
This&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;:&lt;br&gt;
 &lt;br&gt;
&lt;font size="5"&gt;&lt;a href="http://www.undermars.com/" target="_new"&gt;Under Mars&lt;/a&gt; &lt;br&gt;
&lt;/font&gt;&lt;font size="1"&gt;(click on link above)&lt;/font&gt;&lt;br&gt;&lt;br&gt;
in response to Leonida's&lt;br&gt;
&lt;br&gt;
&lt;a href="http://www.xanga.com/item.aspx?user=Leonidas&amp;amp;tab=weblogs&amp;amp;uid=368566067" target="_new"&gt;Obscenely Informed&lt;/a&gt; .&lt;br&gt;
&lt;br&gt;
War is War, people.&lt;br&gt;
&lt;br&gt;
&lt;/div&gt;</description><comments>http://rainewalker.xanga.com/372116291/item/#firstcomment</comments></item></channel></rss>